All Saints' Church RenovatIon
Point Cloud to BIM & Modeling & Visualization
Location: Church Ln, Kings Langley WD4 8JS UK
Archicad | 3ds max 2024 | Lumion | Photoshop
"All Saints’ is a mediaeval church with parts dating from the 13th century. The main features of the body of the Church are the beautiful reredos, depicting The Last Supper, and the fine Jacobean pulpit with its intricate carvings. The Tower has a peal of 8 bells that are regularly rung before Services.
There are two Chapels – The Langley Chapel contains the tomb of Edmund de Langley 1341-1402 the 1st Duke of York and Brother of The Black Prince. There is a stained-glass window commemorating the life of Queen Victoria, and on the floor are rare encaustic tiles, some 600 years old, originally housed at the Priory, which adjoined the Plantagenet Royal Palace that stood at the top of Langley Hill."
https://beneficeoflangelei.org.uk/allsaints/all-saints-church-history/
All Saints' Church in Kings Langley boasts rich royal connections, with historical ties dating back centuries. It was granted the rare privilege of flying the Royal Standard from its bell tower and received significant contributions from royalty, including Queen Victoria and Queen Elizabeth II.
The church houses a royal tomb, initially intended for King Richard II but later used for the burial of his uncle, Edmund de Langley, the first Duke of York, and his wife Isabel of Castile. Intriguingly, the tomb also contains the remains of Anne de Mortimer, Countess of Cambridge, adding to its historical significance.
Anne de Mortimer's lineage had a profound impact on the Plantagenet dynasty, as she was grandmother to King Edward IV and King Richard III, and great-grandmother to the Princes in the Tower. Her bloodline continues through Carole Middleton, the mother of Catherine, the Duchess of Cambridge.
The church's history intertwines with that of Kings Langley, which was once home to a royal palace established by Eleanor of Castile in 1278. Despite the palace's destruction, the church remained a significant site, with Edward III using it as a seat of government during the Black Death.
In a reordering exercise, the church plans to enhance visitor experiences by improving sightlines to the royal chapel, installing interactive displays, and restoring the tomb and other artifacts. This initiative aims to revitalize interest in the church's rich history for both locals and visitors.
All Saints' Church and its royal connections serve as a reminder of Kings Langley's illustrious past, which the community intends to celebrate through this restoration project.
The church houses a royal tomb, initially intended for King Richard II but later used for the burial of his uncle, Edmund de Langley, the first Duke of York, and his wife Isabel of Castile. Intriguingly, the tomb also contains the remains of Anne de Mortimer, Countess of Cambridge, adding to its historical significance.
Anne de Mortimer's lineage had a profound impact on the Plantagenet dynasty, as she was grandmother to King Edward IV and King Richard III, and great-grandmother to the Princes in the Tower. Her bloodline continues through Carole Middleton, the mother of Catherine, the Duchess of Cambridge.
The church's history intertwines with that of Kings Langley, which was once home to a royal palace established by Eleanor of Castile in 1278. Despite the palace's destruction, the church remained a significant site, with Edward III using it as a seat of government during the Black Death.
In a reordering exercise, the church plans to enhance visitor experiences by improving sightlines to the royal chapel, installing interactive displays, and restoring the tomb and other artifacts. This initiative aims to revitalize interest in the church's rich history for both locals and visitors.
All Saints' Church and its royal connections serve as a reminder of Kings Langley's illustrious past, which the community intends to celebrate through this restoration project.
https://beneficeoflangelei.org.uk/allsaints/all-saints-re-ordering/
The church visualized in Lumion via the Archicad model.
The All Saints Church has a history of approximately 800 years, and during this time, the building has been adapted to the needs of its previous users. Now, it seems like the time has come to continue the same tradition. The goal is to transform the church into a space that embraces every age group, is open to the community, and provides services. The project emphasizes three main themes: welcoming, worship, and connecting with the broader community. Additionally, there is an aim to present the royal history of the church in a more vivid and effective manner.
LIDAR (Light Detection and Ranging) technology utilizes high-density laser beams to create three-dimensional maps of objects. The point cloud data obtained from these scans enables the creation of detailed digital models of structures.
In this project, point cloud data obtained through LIDAR scans were integrated with Archicad to create a comprehensive BIM model. This model, reflecting the current physical condition of the church down to the finest detail, supported renovation and planning processes by creating a digital replica of the project.
The detailed BIM model facilitated understanding the physical characteristics of the church and enabled more accurate decision-making during the planning process. Integration of all details into the project allowed for simulating proposed changes and identifying potential issues in advance.
The created BIM model, by simulating the current state of the church along with proposed changes, allowed the project team to evaluate how it could be improved functionally and aesthetically.
The data obtained from the detailed BIM model of the church was transformed into photorealistic visuals using the Lumion program. Photorealistic images are powerful tools for effectively conveying the anticipated outcome of a project.
The use of these visuals in significant projects such as restoration and redesign not only strengthens communication but also contributes significantly to the decision-making process. By increasing community involvement, they bring the project's core vision to life and enhance people's trust in the project.
Additionally, visuals support marketing and fundraising efforts by providing a strong tool to engage potential donors and stakeholders in the project. Therefore, the use of realistic architectural visuals in meaningful projects like church restoration can be an indispensable tool for both effective communication and successful outcomes.
As a result, meticulous documentation of historical structures and the creation of digital models play a critical role in the preservation of cultural heritage. This approach not only carries the traces of the past to future generations but also enables historical buildings to be restored more effectively. Furthermore, leveraging the opportunities provided by technology allows for more accurate and efficient planning, leading to the more efficient utilization of resources and the widespread adoption of sustainable architectural practices. Photorealistic visuals and digital models encourage active community participation in projects while aiding in better understanding the needs of local communities. Consequently, the success and effectiveness of projects are enhanced. Additionally, technology-supported planning and implementation processes facilitate the realization of more efficient and effective projects, thus making significant contributions to economic growth and employment.
